Gesine Danckwart

“Heißes Wasser für alle is an installation of text, music, actors and this speaking, this speaking for survival against the abyss, only to whom, to whom actually, and asking yourself and who could reply, when we actually in the Western wonder world, and somewhere else there isn’t even water, and it’s mundane, but this sweater was really too cheap, and again she had said the wrong thing, and he crawled up the walls on this endless Sunday, in this office, where he had gone to pass the time and then finally this hymn resounded in the two room flats and everyone formed into the choir of We.
Heißes Wasser für alle is this enamel sign, which demands life quality long passed for us, is after the orgy and always before the orgy. Heißes Wasser für alle desperately asks about the easy survival, here and always here, failing before the elsewhere.”
(Gesine Danckwart)

“I base my work on an unstable international situation, on a world which is either very easy or very flat. The course of a story isn’t interesting to me, neither the naturalistic dialogic speaking in turns, this can be found in other layers, between internal and external perspective for example.”
(Gesine Danckwart in Der Standard)