Theatre

Nuran David Calis, Henrik Ibsen

METAPHER D’ SIHAD (PEER GYNT) nach Henrik Ibsen

in einer Bearbeitung von Nuran David Calis

Youth- from sidewalk to skyline- Peer- without detours-
away from here fast and never back- Peer
will not exist much longer either- if he stays here-
you won’t end up like daddy- in this shithole
-this place- which doesn’t love you- which bleeds you out
-without giving you anything- from now on I’ll let a beat run-
hard and thundering- boom boom boom boom- it spurs me on
-it drives me to the front- I want to make my way

Growing up- stop- Peer- where are your
manners- my daddy took them to the grave
-hihi- you know me- and you know I’m
legend- but you’re all fakers- I’m your
sun- my charm attracts you- come
closer and you’ll burn- the judgement of the people
will be my demise- out and fin- I’m flowing
like the wind- I let it out like a Pitbull-
you won’t survive the heat of life- look- I
hurt myself lifting my life- after this part
I will throw up

Old age- what I did wasn’t right- everything
I said
isn’t worth much more than dirt- I don’t know
who I am- come on Peer decide (!)-
now (!)- I don’t know- I don’t have an identity-
which holds my skin around me- I have created nothing
of lasting value…- it is time for me to go
and don’t turn
around anymore- I’m my own friend- who dreams
of himself- and only for himself- of better
days

Notes about Henrik Ibsen’s protagonist by Nuran David Calis

Auftragsarbeit für das Staatsschauspiel Dresden

5 F, 19 M, Chor; Doppelbesetzung möglich

World Premiere: 03.12.2009 · Staatsschauspiel Dresden · Directed by: Nuran David Calis

Production history

All Premieres
03
Dezember 2009
Henrik Ibsen, Nuran David Calis

METAPHER D’ SIHAD (PEER GYNT) nach Henrik Ibsen

Theatre

UA

Directed by Nuran David Calis

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Theatre

Henrik Ibsen, Lothar Kittstein, Volker Lösch

Volksfeind for Future

3 F, 4 M

Isn't 17-year-old Greta Thunberg right with her crystal-clear analysis? Is the world really at a loss for answers when it comes to the future of our planet? Climate change is the topic of the hour. But as simple as the diagnosis is, the solution seems to be complicated. The "Fridays for Future" demonstrations, in which schoolkids around the world gathered last year to protest against the climate catastrophe, did not bring the breakthrough we had hoped for. The protest is currently regrouping. The tenacious conflict between moral and monetary aspects is also described by Henrik Ibsen, whose "Enemy of the People" drama is in no way inferior to today's discussion about the enforceability of urgently needed environmental protection measures. Director Volker Lösch and author Lothar Kittstein have therefore undertaken to stage a rewriting of the environmental classic from 1882. Inspired by young environmental activists from Düsseldorf and together with the actors of the ensemble, they take a look at the complicated relationship between the climate crisis, resistance and defense of the status quo. The plot is - how could it be otherwise - moved to the "most beautiful city on the Rhine", whose mayor has succeeded in winning the contract for a new electric car plant. More jobs, clean air and climate protection all in one, so she says. But her own daughter, of all people, organizes protests, mobilizes her classmates and turns to the press. The production of electric cars, she says, does not only not save but leads to more CO2 emissions. And while the parents' generation is fighting over truths and solutions, the young generation sees its own future as being up for grabs. (Düsseldorfer Schauspielhaus)

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