Gesine Danckwart

Und morgen steh ich auf.
2 D, 3 H
UA: 06.03.2006 · Maxim Gorki Theater, Berlin · Directed by: Gesine Danckwart
May I ask you? May I not you, please please? Please, I, I make you, but I make you. May I not you a bit bit happy. But I make you happy. You. I saw this face, this white fear-face, which can’t be anything else. It’s dangerous. This little bit bit more risk I have to afford myself, and this when but the fall. I hold on, cling. I don’t want to slip, slip away. I have to be careful. Bone glass. Have to keep smooth by re-inventing myself. Constantly. Against an abyss. Stoop and stretch. Inside is a monster. From when is there this monster. Hold on, stick to the things. Where am I please. When.

“The characters, language and text machines, which are subject to the constant current of the motivational anglicisms as well as an atrophy of language, don’t exist within a closed plot and order. The deconstruction of a tangible order is impossible to reproduce in a dramatic plot. It is more a composition of characters, dislocation, platitudes, in between fragments of individual people with a story, their own emotions. The sudden change from the position of a producer to the position of a consumer, who is his own producer, the citizen’s duty to be his own sales market and aficionado of the structure exploiting him.
To whose rhythm am I working here? Tomorrow I get up. What.” (Gesine Danckwart)