Rosa von Praunheim
Rosa von Praunheim was born in Riga in 1942 and grew up near Berlin and in Frankfurt am Main. He is considered an important representative of postmodern German film in the genres of documentary, auteur and avant-garde film. Above all, with his 1971 documentary Not the homosexual is perverted, but the situation in which he lives, he paved the way for and became one of the co-founders of the political gay and lesbian movement in the Federal Republic of Germany. His work includes numerous films, books, radio plays and plays and has received many awards. In 2015, he received the Federal Cross of Merit. He celebrated his 77th birthday in 2019 at the Deutsches Theater with his production Every idiot has a grandma, just not me. For his services to German-language film and as a "pioneer of the gay movement in West Germany", Rosa von Praunheim received the Saarbrücken Film Festival's honorary award, the Max Ophüls Prize 2020. At the 2020 Autorentheatertage, Rosa von Praunheim's text Hitler's goat and the hemorrhoids of the king was one of the three winning texts that were premiered at the Deutsches Theater Berlin.
Die Bettwurst - Das Musical!
1 D, 1 H
Rosa von Praunheim stages the world premiere of his own cult film from 1971: Die ... more
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Hitlers Ziege und die Hämorrhoiden des Königs
2 H
Two actors meet - and take the current political climate as an occasion for a ... more
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Zwei Fleischfachverkäuferinnen
nachtkritik
nachtkritik
"Die Schönheit des Lebens / Ist nicht zu ertragen." Und eben dieser unerträglichen Schönheit erweisen Rosa von Praunheim, Damian Popp und das Ensemble mit einer ungeheuren spielerischen Leichtigkeit und der Anarchie eines geradezu magischen Widerstandsgeistes ihre Reverenz.
Die Bettwurst - Musical!
Zeit
Zeit
Das textlich freizügige Musical spießt spaßig in zweimal etwa 40 Minuten nebenbei auch die einst spießige Kritik an dem Trashfilm auf, der angeblich den guten Geschmack verletze und unbedarfte Leute vorführe.
Berliner MorgenpostDa geht die Luzi ab [...] Ein grandioser Spaß in der Bar jeder Vernunft.
TagesspiegelDas Musical schärft nach, was im Film im Ungefähren bleibt.